Online Mixing Services

… a (mostly) analog workflow with all the advantages of the digital workspace.

Ideally Suited for:

Home Studios & Self Recording Musicians

Live Concert Multitrack Sessions

Budget Conscious Projects

(mostly) Analog Mixing Services

If you’re looking for the best way to bring your carefully recorded tracks together, nothing treats your tracks like quality analog hardware. That’s why we combine our racks of gear with only the most important digital tools to deliver to you great mixes every time, priced specifically to work with your budget.

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A (mostly) Analog Workflow

Equipped to bring analog magic to your entire mix session with outboard EQs from API & Neve, compressors from Inward Connections, Locomotive Audio & Purple Audio, and our British built 48 channel Soundcraft console.

The Digital Advantage

With Pro Tools, CuBase, and Studio One, our Mac Pro is loaded with power & some of the most trusted software in the business. We take the one step further with plugins from Universal Audio, Waves, Izotope and more.

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Best of Both Worlds

Our Antelope Orion and it’s rock-solid drivers deliver 32 channels of high quality i/o to seamlessly integrate analog and digital worlds. That means digital precision and analog character is the minimum expectation for your tracks.

Featured Work on YouTube

Click on the Top Left of the YouTube window to see the other songs in the playlist.

The Right Price for Your Budget

Your project shouldn’t come down to price, so we brought the price down for you.

Up to 16 Tracks

$120

PER SONG

17+ Tracks

$150

PER SONG

MASTERING

$40

PER SONG

Studio Equipment

While it may be secondary to creativity and performance, a carefully chosen piece of equipment may impart a certain underlying character to a recording, much in the same way a cask imparts character to an aging wine. Here is a list of what is typically available to every mixing & mastering session.

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Analog Console

Soundcraft “MH4” 48 channel
British Built analogue console

– 48 mic/line preamp & equalizer
– 5 stereo line inputs
– 16 mono or 8 mono/4 stereo aux/busses

Pre-Amplifiers

AMS Neve “1073LB”
Classic API “VP26”
DBX “586”
Focusrite “ISA220”
Great River “MP-500NV”
Rupert Neve Designs “Portico 511”
Universal Audio “LA-610 MkII”
Warm Audio “TB12-500”

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ReAmp Boxes

NF Audio “RA10”
Radial “Pro-RMP”
ReAmp Original
ReAmp V2

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Boosters

Cathedral Pipes “Durham”
Marti Audio “Barrel Booster”

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Direct Boxes

A Designs Reddi
ART dPDB
Radio Shack 274-016c
Radio Shack 274-017c
Yorkville YDI-1P

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Outboard Equalizers

AMS Neve “8803”
API “5500”
Purple Audio “TAV”

Outboard Compressors

Alta Moda “AM-10”
DBX “160SL”
DBX “560a”
Drawmer “1973”
Hairball Audio “1176 Rev D”
IGS Audio “S-Type”
Inward Connections “The Brute”
Klark Teknik “DN504”
FMR Audio “RNC500”
FMR Audio “RNLA500”
JoeMeek “SC2 (v1.07)”
Locomotive Audio “Weight Tank”
Purple Audio “Action”

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Monitoring

Focal “CMS50”
Neumann “KH120a”
Sennheiser “650HD”

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Miscellaneous Outboard

Avid “Eleven Rack”
DBX “520”
Lexicon “MX200”
T.C. Electronic “M300”

Microphones

Telefunken M80
Telefunken M81
Shure KSM313
Shure KSM42 (x2)
Shure KSM32 (x2)
Shure Beta 91
Shure Beta 58
Shure Beta 57A
Shure SM7b
Shure SM58 (x2)
Shure SM57 (x2)
Sennheiser MD 441-U (x2 70’s era)
Sennheiser MD 421-II (x4)
Sennheiser e906
Sennheiser e904
SE Electronics Gemini II
SE Electronics R1 (x2mp)
Royer R-101 (x2)
Peavey PVM 480 (x4)
Peavey RAC-1
Neumann U87i (early 80’s era)
Mojave Audio MA-100 (stereo set)
Kel Audio HM-3C
Electro Voice RE20 (x2 80’s era)
Electro Voice 648 (60’s era)
Electro Voice 647 (60’s era)
Cathedral Pipes “Notre Dame”
Blue Microphones “Kiwi” (x2)
Beyerdynamic Opus Series 51, 88 (x3)
Audix CX-112, D6, D4 (x3)
Audio Technica AT3525
AEA R84

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